How To: Arrange Professional Hip-Hop Tracks

ill o.g.
Battle Points: 3
(taken from: http://www.internetdj.com/article.php?storyid=376).

Written by entity
Monday, December 22 2003

Premier InternetDJ artist member, Entity, offers you some guidelines on how to create complete Hip-Hop arrangements in this exclusive tutorial.

I often make hip-hop beats for my rap and free-style friends. When I first start out creating a hip-hop beat, I study the rythym from groups like Three-six Mafia, Twiztid, and the darker, more undergound lot (cuz 3-6 has some bomb-ass beats) or even Bustah Rhymes; those three are very different styles.

Tip 1: Verses

The beat is made based on how the verse will be spit. Say they want to rap fast, yet also make it seem faster, make the bass hit slowly in the beat (for example Mystikal); or in the case where they want to spit 2-5 word patterns, speed up the beat giving the vocal more intensity (as done in many DMX tracks).

Tip 2: BPM

The range I have found works best is anywhere from 83 - 113 BPM. Keep your rhythym within that range.

Tip 3: The Beat

You can take a simple DNB break (Entity's "How to" on DnB Beats)and slow it down; then add some kicks and snares to add to the groove and fill up space in the lower tempo environment. Remember to add variation with the drums because in general, hip-hop beats are pretty damned repetitive! Also add some claps and hats to supplement the overall groove and rhythym. Feel free to experiment with other percussive sounds and perhaps some backbeats, etc.

Tip 4: The Bass

Add a nice bass groove should not be too difficult. Try a sub-808 sound and loop it (for FruityLoops users, use the CRF knob), then add to the piano roll (again for FruityLoops users) and experiment with the sub-bass groove over the drum rhythym. Make sure the bass and beat blend well together. Don't get frustrated, this portion takes a long time to perfect and requires some degree of musicality. For a tutorial, take a look at How to Create a Rolling DNB sub Bassline in FL Studio.

Tip 5: Ambience, Melody, Background Groove

The background is all up to you. You could go with the eerie classical approach (like 3 - 6 Mafia), the gangsta style jazzy piano (like in many of Mobb Deep's tracks), or even the hard rock guitars that have been used by everyone from Public Enemy to Esham and Twiztid.

You might want to have some strings, plucked guitars or other ambience. Remember, don't overkill the background; the main parts of a hip-hop rhythym are the beat, the bass, and the vocals. Melody is not really a necessity, but this doesn't mean you can't have one. With hip-hop, the star of the show is the MC. Don't drown him/her out.

Tip 6: Arrangement

When it comes to a hip-hop or pop track, it contains these basic segments within the entire arrangement:

1=Intro
2=Verse
3=chorus
4=break
5=close

The trick is, where do you put these parts and what do you do to each part to make it distinct?

Naturally, you would want to start with an intro. Then you bring the track up to speed and into the first verse. After that, change to the chorus. The chorus, or "hook", is where you have your catchy repeitition that will sell your track. It is often repeated several times in a track and often includes a pre-recorded vocal track that will be laid down into the instrumental. Like that Outkast song "Hey Ya" -- the chorus is the pre-recorded vocal singing of those words "Hey Ya"; over and over again. In other words, this part generally establishes the theme of the track. After the first chorus you may want to add a slight breakdown to the track and lead it into the second verse. The second verse should be slightly different in comparison to the first verse but should also maintain the same groove, theme, and rhythym. After that, add your chorus, then verse, then chorus, then close/outro. Be sure to add breaks where appropriate, depending on your musical tastes.
 
M

Mo$art

Guest
I don't like it... I think theres no recipe on a hip-hop track... Many of those who made it big is those who got a unique style and didn't follow formulas...
 

DJ Reflex

Turntablist, Producer
ill o.g.
I have to say, member that post about the article how to create hip hop or summit? that shits wrong but this is actually rather useful. while not telling us how to make hip hop, what it does do is help those of us who are curious about structuring and there is nothing wrong in doing that! after all u have to have foundations before building a house!
nice and useful
Reflex
 

mono

the invisible visible
ill o.g.
Battle Points: 20
Originally posted by WingsOfAnAngel

The range I have found works best is anywhere from 83 - 113 BPM. Keep your rhythym within that range.
hahaha

come on, sounds like michael jordan, telling you to "take the ball into your right hand, fake a jump, penetrate the zone,do a little quick crossover on allen iverson, and then dunk the shit straight into shaq's face" aaaah, i hate this kind of tutorials...
 
M

mbiafb

Guest
I hate to say this, but as much as people are posting that there is no formula or recipe for hip-hop, nothing could be farther from the truth. before i get flamed, let me clarify. Ideally hip-hop should not be about formulas and at its most basic level, it still is not. I'm all for innovation and i am glad there are so many voices in hip-hop that do feel the same way However, turning on the radio leaves little doubt in my mind that formulas rule. If Lil Jon is not basically slight variations on the same recipe, i don't know what is. Even looking at hip-hop message boards drives thta point home. This one is not so bad, but I have been to other boards where most questions center around how to duplicate someone else's formula.

i don't see anything wrong with the original post. It was a basic guideline that can be applied in many ways. Like someoen said, it was probably a step below Jordan giving the advice that was stated. i have seen much worse that amounted to giving out formulas. Tutorials that illustrated everything from exact eq settings to rules about where the bass should go on every song to wha tfilter settings should be used. I saw one tutorial tha tsaid to always use a particular lfo setting on snare. that kind of thing is much more of a problem in hip-hop than what was posted
 

sent_inc

ILLIEN
ill o.g.
Battle Points: 15
I've been looking for a formula. Arranging songs is a weakness of mines. Because I don't know when to drop the bass or the kick or when to add strings and piano, I play all instruments thru song whicn makes the song boring and weak. This thread was very helpful
 
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