vitaminman
IllMuzik Staff
ill o.g.
Battle Points: 1
Hey,
A friend of mine came round with two albums I had never heard before, Ludacris' Word of Mouf, and Cam'ron's Come Home with Me.
Ludacris: Boring. His last album had Southern Hospitality which had that cool hoover sound running around in the background and great rythm, none of the tracks on the new album came even close. Move Bitch is just silly, when I heard that one I turned the cd player off and got myself a drink.
Cam'ron: Man, I LOVE that track Welcome to New York City, it's got a great lead riff, corny 80's metal samples and nice balanced mixing. I don't care much for lyrics in general, but someone out there will be moved by them. Losing Weight also had a great vibe to it, again whoever mixed it did a great job of balancing the kick with the sub bass. Practically every track on it had great sounds and good mixing, I only wished that whoever programmed it had been a little more inventive than simply looping the same 4 measures OVER and OVER on each track while the vocalists did their thing.
What I miss in modern hip hop is the structure that was found in early tracks from the late 80's and early 90's. Granted they weren't grandiose opuses or anything, but there was at least a difference between the choruses and verses, programmers seemed to spend a little more time masking the samples they were illegally using and using nice layers of sounds from their samplers and synths.
Nowadays every track seems to have the same 4 measures over and over and over with nothing to change up the track except to mute the drums or bass or something. It's as if instead of progressing to find the perfect beat and improving on it, they load sounds off the latest sample cd onto whatever flavor of MPC or ARS they have in the studio and loop it for 4 measures while some kid who eats too much sugar gets behind the mic and gets the pop shield all wet.
My two cents.
Nick
A friend of mine came round with two albums I had never heard before, Ludacris' Word of Mouf, and Cam'ron's Come Home with Me.
Ludacris: Boring. His last album had Southern Hospitality which had that cool hoover sound running around in the background and great rythm, none of the tracks on the new album came even close. Move Bitch is just silly, when I heard that one I turned the cd player off and got myself a drink.
Cam'ron: Man, I LOVE that track Welcome to New York City, it's got a great lead riff, corny 80's metal samples and nice balanced mixing. I don't care much for lyrics in general, but someone out there will be moved by them. Losing Weight also had a great vibe to it, again whoever mixed it did a great job of balancing the kick with the sub bass. Practically every track on it had great sounds and good mixing, I only wished that whoever programmed it had been a little more inventive than simply looping the same 4 measures OVER and OVER on each track while the vocalists did their thing.
What I miss in modern hip hop is the structure that was found in early tracks from the late 80's and early 90's. Granted they weren't grandiose opuses or anything, but there was at least a difference between the choruses and verses, programmers seemed to spend a little more time masking the samples they were illegally using and using nice layers of sounds from their samplers and synths.
Nowadays every track seems to have the same 4 measures over and over and over with nothing to change up the track except to mute the drums or bass or something. It's as if instead of progressing to find the perfect beat and improving on it, they load sounds off the latest sample cd onto whatever flavor of MPC or ARS they have in the studio and loop it for 4 measures while some kid who eats too much sugar gets behind the mic and gets the pop shield all wet.
My two cents.
Nick